Ruxandra Guidi left Venezuela for the U.S. in 1990, when she was just 14. Over time she and her father drifted apart; he was an ardent believer in the revolution, she was disillusioned by the fate of the nation she once called home. Separated by ideology, they carried on with their lives in starkly different places, each sticking to the truth they’d chosen to hear. Now, with the situation in Venezuelan as bad as it’s been, Ruxandra is reminded why she can’t give up on her father.

Listen to her radio piece for the BBC.

Ruxandra Guidi holding publication
Ruxandra Guidi and her husband, Bear Guerra, produced A People’s Map: Stories From the East San Gabriel Valley, for the LA County Planning Department. (Photo by David Allen)

Homelands producer and board president Ruxandra Guidi has moved to Tucson, where she will begin a new position as a professor in the University of Arizona’s School of Journalism. Ruxandra has reported throughout the United States and Latin America for both magazines and public radio. She founded Fonografia Collective with her husband, fellow Homelander Bear Guerra, and runs an online service called Story Tellers, which connects storytellers and artists around the world to gigs, ideas, funding, and each other.

Her appointment renews a long relationship between Homelands and UA. For many years, our collective was headquartered at the journalism school, where cofounder Alan Weisman taught.

Gaza beach with horse cart

A vendor sells beach toys in Gaza, where families try to maintain normal lives despite the constant threat of violence. Photo by Abdel Kareem Hana.

Sandy Tolan recently returned from Gaza, where he was reporting on water in the context of the ongoing war there. He found people living under siege but determined not to give up hope. Sandy posted several dispatches on his Facebook page (follow him!), as well as on his website,

Here’s an excerpt from a post from August 2.

The indelible images of suffering and stories of loss are everywhere in Gaza. The family of 19 in three small rooms whose only drinking water comes from plastic jugs filled at the mosque. The woman who lost 38 members of her family during Israeli strikes in 2014. The man who lived with 49 others in a relative’s house after his neighborhood of Shujaiya was flattened. But there is something else that abides in the day-to-day life in Gaza that for me resonates just as deeply: a kind of stubborn resilience in the face of catastrophe.

Pigeons over LA River

A flock of pigeons flies above a concrete section of the LA River in this selection from Bear Guerra’s photo essay “A Possible River.”

Bear Guerra has been spending a lot of time around the Los Angeles River, contemplating its meaning and (lucky for us) shooting photos. His photo essay “A Possible River” was recently published in Emergence Magazine and features 22 thoughtfully captioned black-and-white landscapes, portraits, and still lifes. From his written essay:

Surprisingly few Angelenos are even aware that the massive man-made drainage ditch they see from the freeway was once a verdant habitat for a diversity of birds, mammals, and fish; or that today there are still several soft-bottom stretches where natural springs prevented the concrete from taking hold, offering a rare chance for nature to thrive amidst the sprawl. One has to know where to look, but a sense of what once was here—before all the cars and people—can still, to some extent, be found.

Turtle suspended in glass jar

The western pond turtle (Actinemys marmorata) was the only native turtle species that would have been found in the LA River before channelization. It has been completely extirpated and is now a California “species of special concern.” Photo by Bear Guerra.

In June, Bear published “An inventory of loss on the Los Angeles River” in High Country News with 13 color images documenting animal species that once lived in and along the river but are no longer found there. The photos, he writes, “represent the erasure of incredible diversity and beauty” not just from the area, but also from “the collective memory of Angelenos.”

But there is, he notes, an active citizen movement that hopes to revitalize the river. He says he hopes his essays help. “[I]f we can remember what was lost,” he writes, “then certainly we can imagine what might be again.”

Tolan with doctor, mother, and baby

Sandy Tolan with Dr. Mohamad Abu Samia, director of the Rantisi hospital in Gaza. Photo by Abdel Kareem Hana.

Sandy Tolan is in Gaza, reporting on the water crisis there. Here is a Facebook post from July 26:

This morning in Gaza, a whiff of war in the air in the wake of Israel’s deadly overnight air strikes – a shaking of the fragile ceasefire a few days earlier. All week long I’ve been looking into the human consequences of Gaza’s water crisis on the ground here, visiting refugee camps, talking to hydrologists, engineers, officials, UNICEF and other international donors, and chatting with people along the harbor and the beach. This morning, as I spoke with a Hamas water minister, the wail of an ambulance and a slow mournful dirge began drifting through the window: a memorial procession for the three men killed last night.

Surreal and disturbing as it was, the true human stakes of the water disaster here came into focus only when I started talking to pediatricians. One, from the health ministry, told me that he’s seen dramatic rises in kidney failure, typhoid fever, hepatitis A, salmonella and severe diarrhea in the children of Gaza – between a 30 and 50 percent rise, he estimated, just over the last few months. Much of this he attributed to water and food contamination, the result of salty well water, water delivery trucks carrying e coli, and food that spoils with only four hours a day of electricity – part of the economic strangulation of Gaza.

In the evening, we met with another pediatrician – Mohamad Abu Samia, director of the Rantisi hospital in Gaza. He told us he’s seen a doubling cases of gastroenteritis, renal failure, and thyroid cancer, and the rise in a previously rare disease: Blue Baby Syndrome, related to the elevated nitrate levels in the Gaza wells. “Bluish lips, bluish face, bluish skin,” the doctor tells me. And blood the color of chocolate.

Now, he is seeing cases of marasmus, the result of severe malnutrition in infants: “just bone and skin.” Not all of these diseases can be traced to poor water quality, but all are related, said the doctor, to Israel’s economic blockade. “Before the siege, we didn’t have any patients with malnutrition,” Abu Samia told me. “Now with the temperature going to 40 (104 Fahrenheit), like in the Gulf: no electricity, no water. So much hard suffering. The siege should be stopped.”

Then the doctor led us out of the small examination room and into a quiet ward with some of the sickest babies in Gaza. The room was sectioned by curtains, and he had a few kind words to dazed mothers trying to comfort babies with congenital heart disease, severe malnutrition. The mothers have already lived through three wars and an economic siege. Doctor Abu Samia softly exchanged words with each mom; in one case, he gently lifted the shirt of a tiny infant, revealing a scar from heart surgery nearly half the length of her body. Another was hooked up to a respirator – the minute it stopped, the child would die. And because electricity runs only four hours a day in Gaza, the baby must stay at the hospital, where generators keep her alive.

In her latest commentary for High Country NewsRuxandra Guidi writes how the U.S.-Mexico border has become a stage for political theater,  and why the Trump administration’s “deterrence” tactic against undocumented immigrants and asylum seekers is cruel and inhumane.

“There is no such thing as a ‘crisis’ at the border,” she writes. “What we are witnessing is a rise in the number of people seeking asylum in the U.S., and doing so without receiving due process. That includes the caravan of more than 1,100 Honduran migrants, most of them families with children, whose well-publicized trek to the U.S. prompted Trump’s call for the National Guard. These migrants did not come to scale any walls; they came to ask for U.S. asylum at the border, as several dozen of them reportedly already have.

“Illegal crossings are currently at a 46-year low — down 71 percent in May 2017 from 2014’s peak, when Customs and Border Protection records show that it detained almost 69,000 people.”

Photo by Bear Guerra.

The Cecilia Vaisman Award for Multimedia Reporters will recognize Latinx and Hispanic audio and video journalists “who bring light to the issues that affect the Latinx and Hispanic communities in the U.S. and around the world,” according to Northwestern University’s Medill School of Journalism, Media, Integrated Marketing Communications.

The award, sponsored by Medill and the the National Association of Hispanic Journalists, is named in honor of Homelands Productions’ co-founder and senior producer, who died in 2015 at age 54.

Cecilia, who was born in Argentina and raised in the United States, worked in long-form and short-form audio, video, and print. She taught in Medill’s audio program and was a beloved mentor and fierce advocate for young journalists.

Cecilia received many awards for her work, including the Clarion Award and the National Federation of Community Broadcasters’ Golden Reel Award, as well as two Robert F. Kennedy Journalism Awards for reporting on the disadvantaged. A series she co-produced for NPR on AIDS in Brazil won her an Armstrong Award. In 2016, Cecilia was honored posthumously with a Studs Terkel Award from the Chicago-based organization Public Narrative.

Please click here for an obituary in the Chicago Tribune, and here for a brief audio tribute produced by WBEZ in Chicago. You can watch a video of a January 2016 memorial event at Medill by clicking here.